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Reviews
Reviews for Daland – Der Fliegende Holländer- Osnabrück
Dominic Barberi displays the full elegance of his voice as Daland.
Ralf Döring - NOZ
Ensemble member Dominic Barberi lends him (Daland) an expressive bass profile.
Jochen Rüth
Dominic Barberi as the captain and Senta’s father utterly convincing.
Kerstin Broszat
Reviews for Vodnik – Rusalka - Osnabrück
Rusalka's father, Dominic Barberi, a firmly committed bass, with his voluminous, yet never pressed and elegant voice. He expresses the desperate rage at the renegade daughter . . . But Barberi also expresses the grief over the lost child in his marvellous aria in the second act.
Ralf Döring - NOZ
Can there be a better Wassermann than Dominic Barberi, his sonorous bass bestows him great stage presence.
Werner Hülsmann - ON
Dominic Barberi convinces as Wassermann Vodnik with a voluminous bass, which lends his character a sublime dignity.
Dominik Lapp - Hasepost
Dominic Barberi, impresses as Wassermann. In the course of the evening, the new Osnabrück ensemble member hits top form and demonstrates all the possibilities of his impressive bass voice.
Jochen Rüth - Der Opernfreund
Dominic Barberi's profound bass lends great weight to the role of Wassermann. The fact that he comes from the international opera studio of the Berlin State Opera under Daniel Barenboim makes you sit up and take notice and emphasises the high musical standards.
Bernd Lausberg - O-Ton
Reviews for Count Walter - Luisa Miller - Osnabrück
Dominic Barberi lent the bass role of Count Walter noble splendour with his voice and was convincing as the emotionally old and calculating sovereign.
Detlef Obens – Das Opernmagazin
But above all, Barberi sings seductively beautifully, a powerful bass with dark, mellow, expressive colour and confidently guided. As repulsive as the figure of Count Walter may seem, this voice sounds as attractive.
Ralf Döring – NOZ
Dominic Barberi, new to the ensemble this season, made a very strong debut as Count Walther. His bass has mellowness and strength, does not distort, but rather shines.
Werner Hülsmann - ON
The young Maltese singer Dominic Barberi presents him with a profound, awe-inspiring bass.
Jochen Rüth – MusikTheater Theater Osnabrück
Reviews for Bottom - A Midsummer Night’s Dream – Lille
Dominic Barberi puts his ample bass voice, with its warm timbre and richness of colour, at the service of Bottom. The ham-handedness of the role also provides the opportunity for bravura, tender, lyrical and burlesque moments, which Dominic Barberi delivers with a brio that is applauded during the final applause.
Joël Heuillon - Olyrix
The ample and warm bass of Dominic Barberi (Bottom) oscillates between drama and burlesque.
Marie-Aude Roux – Le Monde
The beautiful bass Dominic Barberi (Bottom) plays the donkey with an inexhaustible verve.
Emmanuel Dupuy – Diapason
Dominic Barberi is a powerful Bottom, an inexhaustible fighter with an overflowing verve.
Bruno Sorrau – Lille blogspot
Dominic Barberi . . .capable of a moving, almost metaphysical earthy poetry: Often presented as burlesque, the sleeping couple he forms with Tytania at the curtain call of the last act offers a moment of suspended grace.
Pierre Brévignon - Première Loge
The magnificent baritone Dominic Barberi (deep and sonorous voice), in his pants, his muscular body under his donkey head. And the delightful scene of the craftsmen's performance, where the laughter flies (even though the plot has come full circle), is also perfectly set up.
France tv info blog
Tiroler Landestheater - La Gioconda – ALVISE BADOERO
But what a talent is coming! The young, tall Englishman Dominic Barberi impresses as a personality-rich Alvise with remarkable, beautifully sounding bass material (especially in the dramatic duet with Laura in Act 3)
Dietmar Plattner - Der Neue Merker
Opéra de Montpellier – A Midsummer Night’s Dream – BOTTOM
Dominic Barberi plays the role of Nick Bottom. His huge, round bass voice easily rang out over the orchestra
Vojin Jaglicic - Olyrix
Driven by Dominic Barberi’s impressive Bottom.
Gilles Charlassier – tote la coulture
Dominic Barberi is an eloquent Bottom
Laurent Bury – Forum Opera
Chiemgau Festival Gut Immling – La Cenerentola – ALIDORO
And Dominic Barberi with his nobly flowing bass voice as the prince’s advisor Alidoro…
Kirsten Benekam – PNP
In the lower registers, the cast is vocally rounded by Dominic Barberi’s balmily softly intoning guardian angel Alidoro
Tobias Hell
Opéra de Montpellier – La Cenerentola – ALIDORO
Alidoro is entrusted to Dominic Barberi. The bass's singing line is sustained and noble. The discreet authority of the prince's guardian, his wisdom - one thinks of Sarastro - is evident.
Yvan Beuvard – Forum Opera
Nationaltheater Mannheim
Tosca - ANGELOTTI
As Angelotti succeeded Dominic Barberi with a powerful voice…
Dirk Schauß - Online Merker
DON CARLO – Il Frate
In the other roles . . . the profound Dominic Barberi (Monk) was particularly pleasing
Dirk Schauß – Online merker
Edinburgh Festival - Bach Cantatas
The pair of basses singing Pan and Phoebus were well contrasted . . .Dominic Barberi sounded more aristocratic and grandiose
Simon Thompson - Bachtrack
Dominic Barberi displays the full elegance of his voice as Daland.
Ralf Döring - NOZ
Ensemble member Dominic Barberi lends him (Daland) an expressive bass profile.
Jochen Rüth
Dominic Barberi as the captain and Senta’s father utterly convincing.
Kerstin Broszat
Reviews for Vodnik – Rusalka - Osnabrück
Rusalka's father, Dominic Barberi, a firmly committed bass, with his voluminous, yet never pressed and elegant voice. He expresses the desperate rage at the renegade daughter . . . But Barberi also expresses the grief over the lost child in his marvellous aria in the second act.
Ralf Döring - NOZ
Can there be a better Wassermann than Dominic Barberi, his sonorous bass bestows him great stage presence.
Werner Hülsmann - ON
Dominic Barberi convinces as Wassermann Vodnik with a voluminous bass, which lends his character a sublime dignity.
Dominik Lapp - Hasepost
Dominic Barberi, impresses as Wassermann. In the course of the evening, the new Osnabrück ensemble member hits top form and demonstrates all the possibilities of his impressive bass voice.
Jochen Rüth - Der Opernfreund
Dominic Barberi's profound bass lends great weight to the role of Wassermann. The fact that he comes from the international opera studio of the Berlin State Opera under Daniel Barenboim makes you sit up and take notice and emphasises the high musical standards.
Bernd Lausberg - O-Ton
Reviews for Count Walter - Luisa Miller - Osnabrück
Dominic Barberi lent the bass role of Count Walter noble splendour with his voice and was convincing as the emotionally old and calculating sovereign.
Detlef Obens – Das Opernmagazin
But above all, Barberi sings seductively beautifully, a powerful bass with dark, mellow, expressive colour and confidently guided. As repulsive as the figure of Count Walter may seem, this voice sounds as attractive.
Ralf Döring – NOZ
Dominic Barberi, new to the ensemble this season, made a very strong debut as Count Walther. His bass has mellowness and strength, does not distort, but rather shines.
Werner Hülsmann - ON
The young Maltese singer Dominic Barberi presents him with a profound, awe-inspiring bass.
Jochen Rüth – MusikTheater Theater Osnabrück
Reviews for Bottom - A Midsummer Night’s Dream – Lille
Dominic Barberi puts his ample bass voice, with its warm timbre and richness of colour, at the service of Bottom. The ham-handedness of the role also provides the opportunity for bravura, tender, lyrical and burlesque moments, which Dominic Barberi delivers with a brio that is applauded during the final applause.
Joël Heuillon - Olyrix
The ample and warm bass of Dominic Barberi (Bottom) oscillates between drama and burlesque.
Marie-Aude Roux – Le Monde
The beautiful bass Dominic Barberi (Bottom) plays the donkey with an inexhaustible verve.
Emmanuel Dupuy – Diapason
Dominic Barberi is a powerful Bottom, an inexhaustible fighter with an overflowing verve.
Bruno Sorrau – Lille blogspot
Dominic Barberi . . .capable of a moving, almost metaphysical earthy poetry: Often presented as burlesque, the sleeping couple he forms with Tytania at the curtain call of the last act offers a moment of suspended grace.
Pierre Brévignon - Première Loge
The magnificent baritone Dominic Barberi (deep and sonorous voice), in his pants, his muscular body under his donkey head. And the delightful scene of the craftsmen's performance, where the laughter flies (even though the plot has come full circle), is also perfectly set up.
France tv info blog
Tiroler Landestheater - La Gioconda – ALVISE BADOERO
But what a talent is coming! The young, tall Englishman Dominic Barberi impresses as a personality-rich Alvise with remarkable, beautifully sounding bass material (especially in the dramatic duet with Laura in Act 3)
Dietmar Plattner - Der Neue Merker
Opéra de Montpellier – A Midsummer Night’s Dream – BOTTOM
Dominic Barberi plays the role of Nick Bottom. His huge, round bass voice easily rang out over the orchestra
Vojin Jaglicic - Olyrix
Driven by Dominic Barberi’s impressive Bottom.
Gilles Charlassier – tote la coulture
Dominic Barberi is an eloquent Bottom
Laurent Bury – Forum Opera
Chiemgau Festival Gut Immling – La Cenerentola – ALIDORO
And Dominic Barberi with his nobly flowing bass voice as the prince’s advisor Alidoro…
Kirsten Benekam – PNP
In the lower registers, the cast is vocally rounded by Dominic Barberi’s balmily softly intoning guardian angel Alidoro
Tobias Hell
Opéra de Montpellier – La Cenerentola – ALIDORO
Alidoro is entrusted to Dominic Barberi. The bass's singing line is sustained and noble. The discreet authority of the prince's guardian, his wisdom - one thinks of Sarastro - is evident.
Yvan Beuvard – Forum Opera
Nationaltheater Mannheim
Tosca - ANGELOTTI
As Angelotti succeeded Dominic Barberi with a powerful voice…
Dirk Schauß - Online Merker
DON CARLO – Il Frate
In the other roles . . . the profound Dominic Barberi (Monk) was particularly pleasing
Dirk Schauß – Online merker
Edinburgh Festival - Bach Cantatas
The pair of basses singing Pan and Phoebus were well contrasted . . .Dominic Barberi sounded more aristocratic and grandiose
Simon Thompson - Bachtrack