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Reviews
Reviews for Bottom - A Midsummer Night’s Dream – Lille
Dominic Barberi puts his ample bass voice, with its warm timbre and richness of colour, at the service of Bottom. The ham-handedness of the role also provides the opportunity for bravura, tender, lyrical and burlesque moments, which Dominic Barberi delivers with a brio that is applauded during the final applause.
Joël Heuillon - Olyrix
The ample and warm bass of Dominic Barberi (Bottom) oscillates between drama and burlesque.
Marie-Aude Roux – Le Monde
The beautiful bass Dominic Barberi (Bottom) plays the donkey with an inexhaustible verve.
Emmanuel Dupuy – Diapason
Dominic Barberi is a powerful Bottom, an inexhaustible fighter with an overflowing verve.
Bruno Sorrau – Lille blogspot
Dominic Barberi . . .capable of a moving, almost metaphysical earthy poetry: Often presented as burlesque, the sleeping couple he forms with Tytania at the curtain call of the last act offers a moment of suspended grace.
Pierre Brévignon - Première Loge
The magnificent baritone Dominic Barberi (deep and sonorous voice), in his pants, his muscular body under his donkey head. And the delightful scene of the craftsmen's performance, where the laughter flies (even though the plot has come full circle), is also perfectly set up.
France tv info blog
Tiroler Landestheater - La Gioconda – ALVISE BADOERO
But what a talent is coming! The young, tall Englishman Dominic Barberi impresses as a personality-rich Alvise with remarkable, beautifully sounding bass material (especially in the dramatic duet with Laura in Act 3)
Dietmar Plattner - Der Neue Merker
Opéra de Montpellier – A Midsummer Night’s Dream – BOTTOM
Dominic Barberi plays the role of Nick Bottom. His huge, round bass voice easily rang out over the orchestra
Vojin Jaglicic - Olyrix
Driven by Dominic Barberi’s impressive Bottom.
Gilles Charlassier – tote la coulture
Dominic Barberi is an eloquent Bottom
Laurent Bury – Forum Opera
Chiemgau Festival Gut Immling – La Cenerentola – ALIDORO
And Dominic Barberi with his nobly flowing bass voice as the prince’s advisor Alidoro…
Kirsten Benekam – PNP
In the lower registers, the cast is vocally rounded by Dominic Barberi’s balmily softly intoning guardian angel Alidoro
Tobias Hell
Opéra de Montpellier – La Cenerentola – ALIDORO
Alidoro is entrusted to Dominic Barberi. The bass's singing line is sustained and noble. The discreet authority of the prince's guardian, his wisdom - one thinks of Sarastro - is evident.
Yvan Beuvard – Forum Opera
Nationaltheater Mannheim
Tosca - ANGELOTTI
As Angelotti succeeded Dominic Barberi with a powerful voice…
Dirk Schauß - Online Merker
DON CARLO – Il Frate
In the other roles . . . the profound Dominic Barberi (Monk) was particularly pleasing
Dirk Schauß – Online merker
Edinburgh Festival - Bach Cantatas
The pair of basses singing Pan and Phoebus were well contrasted . . .Dominic Barberi sounded more aristocratic and grandiose
Simon Thompson - Bachtrack
Dominic Barberi puts his ample bass voice, with its warm timbre and richness of colour, at the service of Bottom. The ham-handedness of the role also provides the opportunity for bravura, tender, lyrical and burlesque moments, which Dominic Barberi delivers with a brio that is applauded during the final applause.
Joël Heuillon - Olyrix
The ample and warm bass of Dominic Barberi (Bottom) oscillates between drama and burlesque.
Marie-Aude Roux – Le Monde
The beautiful bass Dominic Barberi (Bottom) plays the donkey with an inexhaustible verve.
Emmanuel Dupuy – Diapason
Dominic Barberi is a powerful Bottom, an inexhaustible fighter with an overflowing verve.
Bruno Sorrau – Lille blogspot
Dominic Barberi . . .capable of a moving, almost metaphysical earthy poetry: Often presented as burlesque, the sleeping couple he forms with Tytania at the curtain call of the last act offers a moment of suspended grace.
Pierre Brévignon - Première Loge
The magnificent baritone Dominic Barberi (deep and sonorous voice), in his pants, his muscular body under his donkey head. And the delightful scene of the craftsmen's performance, where the laughter flies (even though the plot has come full circle), is also perfectly set up.
France tv info blog
Tiroler Landestheater - La Gioconda – ALVISE BADOERO
But what a talent is coming! The young, tall Englishman Dominic Barberi impresses as a personality-rich Alvise with remarkable, beautifully sounding bass material (especially in the dramatic duet with Laura in Act 3)
Dietmar Plattner - Der Neue Merker
Opéra de Montpellier – A Midsummer Night’s Dream – BOTTOM
Dominic Barberi plays the role of Nick Bottom. His huge, round bass voice easily rang out over the orchestra
Vojin Jaglicic - Olyrix
Driven by Dominic Barberi’s impressive Bottom.
Gilles Charlassier – tote la coulture
Dominic Barberi is an eloquent Bottom
Laurent Bury – Forum Opera
Chiemgau Festival Gut Immling – La Cenerentola – ALIDORO
And Dominic Barberi with his nobly flowing bass voice as the prince’s advisor Alidoro…
Kirsten Benekam – PNP
In the lower registers, the cast is vocally rounded by Dominic Barberi’s balmily softly intoning guardian angel Alidoro
Tobias Hell
Opéra de Montpellier – La Cenerentola – ALIDORO
Alidoro is entrusted to Dominic Barberi. The bass's singing line is sustained and noble. The discreet authority of the prince's guardian, his wisdom - one thinks of Sarastro - is evident.
Yvan Beuvard – Forum Opera
Nationaltheater Mannheim
Tosca - ANGELOTTI
As Angelotti succeeded Dominic Barberi with a powerful voice…
Dirk Schauß - Online Merker
DON CARLO – Il Frate
In the other roles . . . the profound Dominic Barberi (Monk) was particularly pleasing
Dirk Schauß – Online merker
Edinburgh Festival - Bach Cantatas
The pair of basses singing Pan and Phoebus were well contrasted . . .Dominic Barberi sounded more aristocratic and grandiose
Simon Thompson - Bachtrack